Products related to Narrative:
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Narrative
Human beings have constantly told stories, presented events and placed the world into narrative form.This activity suggests a very basic way of looking at the world, yet, this book argues, even the most seemingly simple of stories is embedded in a complex network of relations.Paul Cobley traces these relations, considering the ways in which humans have employed narrative over the centuries to ‘re-present’ time, space and identity. This second, revised and fully updated edition of the successful guidebook to narrative covers a range of narrative forms and their historical development from early oral and literate forms through to contemporary digital media, encompassing Hellenic and Hebraic foundations, the rise of the novel, realist representations, narratives of imperialism, modernism, cinema, postmodernism and new technologies.A final chapter reviews the way that narrative theory in the last decade has re-orientated definitions of narrative. Written in a clear, engaging style and featuring an extensive glossary of terms, this is the essential introduction to the history and theory of narrative.
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Narrative Ontology
This book is a critical inquiry into three ideas that have been at the heart of philosophical reflection since time immemorial: freedom, God and immortality.Their inherent connection has disappeared from our thought.We barely pay attention to the latter two ideas, and the notion of freedom is used so loosely today that it has become vacuous.Axel Hutter’s book seeks to remind philosophy of its distinct task: only in understanding itself as human self-knowledge that articulates itself in these three ideas will philosophy do justice to its own concept. In developing this line of argument, Hutter finds an ally in Thomas Mann, whose novel Joseph and His Brothers has more to say about freedom, God and immortality than most contemporary philosophy does.Through his reading of Mann’s novel, Hutter explores these three ideas in a distinctive way.He brings out the intimate connection between philosophical self-knowledge and narrative form: Mann’s novel gives expression to the depth of human self-understanding and, thus, demands a genuinely philosophical interpretation.In turn, philosophical concepts are freed from abstractness by resonating with the novel’s motifs and its rich language. Narrative Ontology is both a highly original work of philosophy and a vigorous defence of humanism.It brings together philosophy and literature in a creative way, it will be of great interest to students and scholars in philosophy, literature and the humanities in general.
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Narrative CD
Narrative CD
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Narrative Sociology
Narrative Sociology defines classics, identifies exemplars of narrative analysis, and delineates a field in the making.
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What is the difference between narrative form and narrative perspective?
Narrative form refers to the structure and style in which a story is presented, including elements such as plot, setting, and character development. Narrative perspective, on the other hand, refers to the point of view from which the story is told. This can include first person, second person, or third person perspectives, and can also involve the use of unreliable or omniscient narrators. In essence, narrative form encompasses the overall structure and organization of the story, while narrative perspective focuses on the specific viewpoint from which the story is being told.
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What are narrative threads?
Narrative threads are the different storylines or plot elements that run through a piece of writing or a work of art. These threads help to weave together the overall narrative and create a cohesive and engaging story for the audience. By following these threads, readers or viewers can track the development of characters, conflicts, and themes throughout the work. Narrative threads can intersect, diverge, or come together to create a complex and multi-layered storytelling experience.
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What is the difference between a frame narrative and an embedded narrative?
A frame narrative is a story within a story where an overarching narrative serves as a frame for one or more smaller stories. The frame narrative provides context and structure for the embedded narratives. On the other hand, an embedded narrative is a smaller story that is contained within a larger narrative. It is usually used to provide additional depth or background information to the main story.
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What is the narrative style and narrative perspective in "Holes" by Louis Sachar?
The narrative style in "Holes" by Louis Sachar is straightforward and engaging, with a focus on the present events and the characters' experiences. The story is told in a linear fashion, with a clear cause-and-effect structure that keeps the reader engaged. The narrative perspective is third person omniscient, allowing the reader to gain insight into the thoughts and feelings of multiple characters, which adds depth to the storytelling. This perspective also allows the reader to see how the different characters' stories intertwine and impact each other.
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The Interesting Narrative
'I hope the slave trade may be abolished. I pray it may be an event at hand.'Published a few days before the British parliament first debated the abolition of the slave trade in 1789, Olaudah Equiano's Interesting Narrative gives the author's account of his enslavement after his childhood kidnapping in Africa, and his journey from slavery to freedom.Equiano was slave to a captain in the Royal Navy, and later to a Quaker merchant, and he vividly depicts the appalling treatment of enslaved people at sea and on land.He takes part in naval engagements, is shipwrecked, and has other exciting adventures on his travels to the Caribbean, America, and the Arctic. Equiano claimed his own freedom and became an important abolitionist, but his Narrative is much more than merely a political pamphlet.The most important African autobiography of the eighteenth century, it has achieved an increasingly central position among the century's great works of literature. The introduction to this edition surveys recent debates about Equiano's birthplace and identity, and considers his campaigning role and literary achievements.
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Introducing Narrative Psychology
* What is narrative psychology?* How is the experience of 'self' linked to language, narratives and other people?* What is the role of time, morality, power and control in the construction of identity?This introductory textbook presents a coherent overview of the theory, methodology and potential application of narrative psychological approaches.It compares narrative psychology with other social constructionist approaches and argues that the experience of self only takes on meaning through specific linguistic, historical and social structures.The author shows how the choice of one narrative over another - for example arising out of dominant narrative structures of power and control - can have serious social and psychological implications for the construction of images of self, responsibility, blame and morality.Theoretical approaches are introduced and an overview of methods is provided, encouraging individuals to apply these theories to their own autobiographies.Such theories are further illustrated with case-study material drawing on physical illness (HIV infection) and childhood sexual abuse.Each of these issues is examined in a way which demonstrates how different contemporary narratives and discourses are used to construct meaning and a sense of coherent identity in the face of traumatic events which break down temporal coherence and order.Taken as a whole, this book represents essential reading for students and researchers interested in narrative psychology.
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Second Person Narrative
‘Off you go then and best of luckIt’s bound to be different this time though some of it might seem familiarThe big questions, we meanThe beginnings, middles, endings, et ceteraStill, not to worry, it’s all a work-in-progress’You're born a girl.You grow up. You grow old. You die. But who is in control of your life story? Can you actually choose your destiny? And how do you forge your own identity along the way?Second Person Narrative by Jemma Kennedy is part of Platform, an initiative from Tonic Theatre in partnership with Nick Hern Books aimed at addressing gender imbalance and inequality in theatre.Platform comprises big-cast plays with predominantly or all-female casts, written specifically for performance by school, college and youth-theatre groups. ‘Drama is an important tool for building confidence and empowering young people.Platform will give girls opportunity to access these benefits as much as their male counterparts.’ - Moira Buffini
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Queer Men's Narrative
Queer Men's Narrative demonstrates that at the heart of it, queer men and straight men are very much alike in how they respond to society's pressure and definition of what a man should be.The selected narratives show some queer men, like their straight counterparts, hold on to sexism, toxic masculinity and patriarchy as a way to justify their masculinity within a society that prescribes such a role and expectations.Queer Men's Narrative challenges society at large to re-think its idea of what being a man entails and what this means for society itself and how such concepts limits men and women's freedom to be, to live and to understand each other.
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What narrative perspective is this?
This is a first-person narrative perspective, as the narrator is telling the story from their own point of view using "I" and "me." This allows the reader to experience the events and emotions of the story through the narrator's personal lens, providing a more intimate and subjective understanding of the events.
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Which narrative perspective is this?
This is written in the first-person narrative perspective, as the narrator uses pronouns like "I" and "my" to tell the story from their own point of view. This perspective allows the reader to directly experience the thoughts, feelings, and experiences of the narrator, creating a more intimate and personal connection with the story.
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What is a narrative frame?
A narrative frame is a literary technique used to structure a story within a larger context. It involves the use of a framing device, such as a prologue, epilogue, or a story within a story, to provide a framework for the main narrative. This technique allows the author to set the stage, provide background information, or create a sense of distance between the reader and the main story. By using a narrative frame, the author can add depth and complexity to the storytelling, and engage the reader in a more immersive and layered experience.
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What is a narrative victim?
A narrative victim is a character in a story who experiences harm, suffering, or injustice at the hands of another character or force. They are often portrayed as helpless or vulnerable, and their suffering is used to evoke sympathy or drive the plot forward. Narrative victims can serve as a catalyst for change or growth in other characters, or as a means of exploring themes such as power dynamics, morality, or resilience.
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